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Prism Sound Showcases High-Quality Audio Conversion at MPTS 2024

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Prism Sound Showcases High-Quality Audio Conversion at MPTS 2024

The company will show its DREAM ADA-128 modular conversion system, along with other audio interface products from its range.

Cambridge, UK. May 7th 2024: At the Media Production & Technology Show 2024, Prism Sound will showcase high-quality audio conversion products designed to suit the demands of professional users in broadcast, music, film and live sound.

On stand N52 at MPTS, which takes place in London from May 15-16th 2024, Prism Sound will show the Dream ADA-128 modular audio conversion system that provides up to 128 channels of premium Prism Sound 32-bit A/D and D/A conversion in a single 2U rack.

Dream ADA-128 brings exceptional levels of flexibility, functionality, and cost effectiveness to the professional audio market without any compromise in sound quality. Designed as both a conversion system and a high-performance, networkable audio distribution and processing system, the ADA-128 is built around a 2RU mainframe that can be fitted with up to 16 analogue and digital IO modules (each of which nominally provides eight input or output ports, or both). There are also four Host cards offering various connection options such as Dante, DigiLink and AES. Users can mix and match these, and even route audio between them for maximum flexibility, and because the ADA‑128 houses four internal, independent clocks, these systems can all run at different sample rates at the same time.

Dream ADA-128 is aimed at audio professionals across many different disciplines, including music recording, post-production, broadcast, installation, Dolby Atmos and archiving. At MPTS, Prism Sound will show the system in conjunction with Ginger Audio’s GroundControl Sphere, for which it is now optimised. This professional multichannel audio routing and control room software accepts up to 128 different inputs and outputs from mono to 9.1.6 and is the perfect solution for any surround or immersive audio set up such as Dolby Atmos. It can also be used to tackle speaker tuning and room correction using Sphere’s independent level adjustment and delay line – and thanks to its compatibility with AVID EUCON it can be used with any Digital Audio Workstation and AVID control surface.

Prism Sound’s MPTS line-up is completed by the Titan and Atlas multitrack interfaces that offer flexible expansion and unsurpassed sonic clarity. Titan is ideal for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. Atlas also fulfils all these functions but has the advantage of more preamps, making it suitable for a wider range of recording scenarios. Finally, the company will show the Lyra 1 & 2 interfaces, which pack Prism Sound’s uncompromising AD/DA conversion into a compact chassis, making these units ideally suited to studio and live sound recording.

Please come and see Prism Sound at MPTS 2024 – stand N52. Alternatively please visit the company’s website for more information: www.prismsound.com


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